This is based on the rule that if the note is over half way between divisions it will snap to the closest one. You also have to watch out for the fact that if your performance is too out of time Logic will snap your notes to what it thinks is the right or closest division. The reason I did this is that otherwise Logic would perceive the triplets to be out of time 16th notes and snap them to the 16th note grid. I've used 16/12 as my quantize based on the fact that 16 is the highest straight division and 12 is the highest triplet division (8th note triplets). The part below contains 8th notes, 8th note triplets and 16th notes. The last is a mix of straight 16th notes and 16th note triplets. The first is a combination of straight 8th note and 8th note triplets. Seeing as quantizing is all about grid alignment, if you're not sure what setting is best you can change the grid subdivisions inside the Transport bar just below the Time Signature value by dragging it up and down until you find a good match.īut what if your musical content has a combination of straight and triplet values? There are three settings at the top marked 8/12, 16/12 and 16/24. The Quantize list is found in the Region Parameters in the Inspector, the toolbar of the Piano Roll window and can also be accessed by clicking and holding on a note using the Quantize Tool (8) in the Piano Roll. These will suit most jobs that need strict quantization. Logic comes with a basic set of straight and swing quantizes and some rather more obscure ones (9 tuplets anyone?). Material containing only 16th notes will probably benefit from a 16th note setting (stating the obvious!). Its tight punchy feel has made the MPC the first choice sequencer for hip-hip and R'n'B producers all over the world.Ĭhoosing your quantize setting will depend on the source material. The MPC range from Akai gained popular appeal partly due to the fact it has some really unique quantize settings that really do have a sound of their own. In fact, one piece of hardware technology has almost defined the feel of urban music. Now certainly there are musical genres that use quantization as part of their sound-many Dance and Electronica genres are not 'live' by nature as they take their roots from hardware sequencer technology. I've seen a producer take a perfectly great live drum track and Beat Detective the hell out of it in Pro Tools just because. Now I'm not saying this is the case for everyone, but as we do most of our recording in the digital domain nowadays the temptation is always there to just whack a part in and conform it to a grid without thinking twice, even with live instruments. I'm not only talking about timing issues here folks, pitch quantization is probably the worst offender here. It also hides a multitude of sins when it actually comes to talent.
We live in a world where a lot of popular music is sterilized by the pursuit of perfection. Pretty basic stuff!īut do we always think about why we are quantizing our audio and MIDI or is it just a reflex action. Below is an animation of some chords that are out of time being quantized to align with a 16th note grid. It will totally depend on the musical content your recording. To you and me that means it puts stuff in time! The grid is defined by the quantize value you set - for example 8th notes, 16th notes etc. Quantizing precisely aligns MIDI notes or waveform transients to a 'grid' based on subdivision values of a beat. In this tutorial we're going to look at some ways to take the rigid, machine like qualities out of quantization and get some of the groove back into our programming using Groove Templates and some subtler quantizing techniques. This-in my opinion-is a really bad habit to get into and usually leads to pretty sterile sounding programming. How many of you reading this play a MIDI part into your sequencer and immediately quantize it? Be honest now! I've been guilty of this too, mainly cause my keyboard skills aren't what they could be.
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In this tutorial, we're going to look at how to use quantization in a more musical way - let's claim back the groove! It can give your music a tighter, more cohesive sound, but it can also suck the life out your music if it's abused or just used incorrectly. Pro tools mac.Quantizing is a mainstay of modern music production.
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